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Heat (Original title)The Other Side (Working title)
Date: 1995 (Copyright)

Country: USA

Director: Michael Mann

Production company billing: ©1995 Monarchy Enterprises BV/Regency Entertainment (USA) Inc Warner Bros. presents in association with Regency Enterprises a Forward Pass production A Michael Mann film Dolby Digital/SDDS Colour/Prints by Technicolor 2.35:1 [Panavision] MPAA: 34160
Synopsis: Thriller. LA detective Vincent Hanna engages in a battle of wits with top thief Neil McCauley, who is planning the heist of his life.Synopsis: Thriller about a Los Angeles detective on the trail of the most dedicated, hardened, professional criminal he has ever encountered. A battle of wits ensues, during which it is revealed that both men's intellects, motives and private lives are almost identical.

Genres:
Crime, Police drama

Subjects:
Detectives, Theft
Releases
Date: 15 December 1995Country: USARelease type: unknownFormat: not specified - Colour - Technicolor - Sound - Dolby / SDDSRuntime: 171 mins Length: 15362 FeetDialogue (original): English

Credits (266)
©: Monarchy Enterprises B.V., ©/Presented in association with: Inc Regency Entertainment (USA), Production Company: Forward Pass Productions, In association with: Regency Enterprises, Presented by: Warner Bros., Executive Producer: Arnon Milchan, Executive Producer: Pieter Jan Brugge, Produced by: Michael Mann, Art Linson, Associate Producer: Kathleen M. Shea, Associate Producer: Gusmano Cesaretti, Unit Production Manager: Christopher Cronyn, Production Office Co-ordinator: Sharyn Shimada-Huggins, Asst Production Office Co-ordinator: Michael Dean Valeo, Marc A. Hammer, Production Accountant: Cheryl A. Stone, Assistant Production Accountant: Michael R. Kern, Edward Allen, Location Manager: Janice Polley, Location Manager: Lori Balton, Assistant Location Manager: Andrew L. Ullman, Assistant Location Manager: Ralph Coleman, Assistant Location Manager: Peter Martorano, Mike Fantasia, Post-production Supervisor: Kathy Virkler, Post-production Supervisor: Mark Stevens, Office Production Assistant: Al Lewis, Office Production Assistant: Samantha Roth, Office Production Assistant: Brian Spain, Venessa Verdugo, Set Production Aide: Jonathan McGarry, Set Production Aide: Jody Spilkoman, Set Production Aide: Tendaji Lathan, Set Production Aide: David Hyman, Set Production Aide: Josiah W. Hooper, Set Production Aide: Casey B. Collins, Selma Kora, Production Office Secretary: Shannon Hamed, Assistant to Michael Mann: Carlo Bernard, Executive Assistant to Michael Mann: Michelle Fielding, Assistant to Pieter Jan Brugge: Jamie D. Boscardin, Ami Canaan Mann, Assistant to Art Linson: Patty Roberts Nelson, Staff Assistant: Debra Puopolo, Staff Assistant: Andy Walraven, Staff Assistant: Jeff Berger, Ron Senkowski, Assistant to Al Pacino: Lou Crisa, Tim Judge, Assistant to Robert De Niro: Robin Chambers, Assistant to Val Kilmer: Jane Payne, 2nd Unit Director: Ami Canaan Mann, Assistant Director (1st): Michael Waxman, Assistant Director (2nd): Douglas S. Ornstein, Assistant Director (2nd 2nd): Julie Herrin, DGA Trainee: Rich Sickler, Script Supervisor: Cate Hardman, Casting: Bonnie Timmermann, Casting (Associate): Alison E. Mcbryde, Casting (Extras): Tammy L. Smith, Casting (Assistant): Cynthia Ellis, Written by: Michael Mann, Director of Photography: Dante Spinotti, Camera Operator: Gary Jay, Camera Operator (B): James Muro, Steadicam Operator: James Muro, Assistant Camera (1st): Duane 'DC' Manwiller, Chris Moseley, Assistant Camera (2nd): David Galbraith, Kelsey 'Kshaw' Mcneal, Loader: James Apted, Chief Lighting Technician: Jim Grce, Assistant Chief Lighting Technician: David R. Christensen, Rigging Gaffer: Frank Dorowsky, Key Grip: W.C. 'Chunky' Huse, Best Boy Grip: Daniel Haizlip, Dolly Grip: Gerrit Garretsen, Rigging Grip: Andrew Taylor, 24 Frame Video Operator: Larry Markart, Video Assist: Steven Mikolas, Still Photography: Frank Connor, Visual Effects Supervisor: Neil Krepela, Digital Compositing: Pacific Title Digital, Digital Effects Producer: Joe Gareri, Digital Effects Supervisor: David Sosalla, Digital Effects Artist: Patrick Phillips, Digital Effects Artist: Mimi Abers, John La Fauce, Special Effects Co-ordinator: Terry D. Frazee, Special Effects Foreman: Donald Frazee, Special Effects: Geno Crum, Special Effects: Logan Frazee, Special Effects: Donald Myers, Special Effects: Ralph Winiger, Special Effects: Bruce Y. Kuroyama, Special Effects: Paul H. Haines Jr, Special Effects: Rick Monak, Edited by: Dov Hoenig, Edited by: Pasquale Buba, Edited by: William Goldenberg, Tom Rolf, 1st Assistant Film Editor: Vicki Hiatt, 1st Assistant Film Editor: Matthew Booth, 1st Assistant Film Editor: Ray Boniker, Tom Bryant, Assistant Film Editor: Andrea Bottigliero, Assistant Film Editor: John Morrisey, Assistant Film Editor: Kristina Trirogoff, Assistant Film Editor: Mark Westmore, David Dresher, Electronic Assistant Film Editor: Nina Lucia, Electronic Assistant Film Editor: Lynn Leonhard, Electronic Assistant Film Editor: Julie Janata, Electronic Assistant Film Editor: Sondra Watanabe, Andi Kasen Van Kirk, Production Designer: Neil Spisak, Art Director: Marjorie Stone Mcshirley, Art Department Co-ordinator: L. Oscar A. Mazzola, Assistant Art Department Co-ordinator: Alexandra Milchan, Assistant Art Director: Dianne Wager, Set Designer: Robert Fectman, Set Designer: Steven Schwartz, Set Designer: Paul Sonski, Set Decorator: Annie H. Ahrens, Lead: Douglas E. Maxwell, Lead: Charles R. Lipscomb, Nigel A. Boucher, Set Dresser: Amy Beth Feldman, Set Dresser: Ross Harpold, Set Dresser: David Hopkins, Set Dresser: James T. Randol, Set Dresser: Brad Curry, Set Dresser: Robyn B. Holmes, Illustrator: Sean Hargreaves, Storyboard Artist: Jeff Balsmeyer, Property Master: Charles Stewart, Assistant Property Master: Amie Frances McCarthy, Teri Anne Kopp, Construction Co-ordinator: Anthony Lattanzio, Construction Foreman: Mike Sforza, Scott Hanson, Paint Foreman: Larry Clark, Sign Painter: Joe A. Hawthorne, Stand-by Painter: John Hinkle, Labour Foreman: Richard Hausfeld, Greens Foreman: Phil Hurst, Costume Designer: Deborah L. Scott, Assistant Costume Designer: David Levey, Costume Supervisor: Darryl M. Athons, Costumer: Priscilla B. Poore, Costumer: Tom Numbers, Costumer: Beth Koenigsberg, Lillian Lanette Little, Al Pacino's Costumer: Joseph T. Mastrolia, Robert De Niro's Costumer: Marsha Bozeman, Val Kilmer's Costumer: Brenda Donoho, Key Make-up Artist: John Caglione Jr, Make-up Artist/Tattoo Designer: Ken Diaz, Robert De Niro's Make-up/Hair: Ilona Herman, Val Kilmer's Make-up/Hair: Leonard Engelman, Key Hairstylist: Vera Mitchell, Hairstylist: Timothy Jones, Design/Animation of Main Title Sequence: Research Arts, Titles/Opticals: Pacific Title, Colour Timer: David Orr, Music Composed by: Elliot Goldenthal, Music Score Performances: The Kronos Quartet, [Music] Conducted by: Jonathan Sheffer, Stephen Mercurio, Orchestrated by: Robert Elhai, Elliot Goldenthal, Music Supervisor: Budd Carr, Assistant Music Supervisor: Amy Dunn, Music Score Produced by: Matthias Gohl, Electronic Score Produced by: Richard Martinez, Supervising Music Editor: Bill Abbott, Christopher Brooks, Music Editor: Lee Scott, Music Editor: Stephen Lotwis, Music Editor: Michael Connell, Music Editor: Jay Richardson, Music Editor: Denise Okimoto, Score Recorded/Mixed by: Stephen McLaughlin, Joel Iwataki, Music Consultant: Chris Douridas, Music Adviser: Curt Sobel, Production Sound Mixer: Lee Orloff, Sound: SounDelux, Utility Sound: Thomas A. Payne, Additional Audio: Kim Waugh, Boom Operator: Nicholas R. Allen, Re-recording Mixer: Chris Jenkins, Re-recording Mixer: Andy Nelson, Re-recording Mixer: Ron Bartlett, Re-recording Mixer: Anna Behlmer, Re-recording Mixer: Mark Smith, John Arrias, Additional Re-recording Mixer: Gary Alexander, Additional Re-recording Mixer: Dan Leahy, Additional Re-recording Mixer: Ken S. Polk, Additional Re-recording Mixer: Robert Thirlwell, Additional Re-recording Mixer: Doug Hemphill, Additional Re-recording Mixer: Chris Carpenter, Additional Re-recording Mixer: Bill Benton, Bill Jackson, Supervising Sound Editor: Per Hallberg, Supervising Sound Editor: Larry Kemp, Negative Cutter: Mo Henry, 1st Assistant Sound Editor: Karen M. Baker, Assistant Sound Editor: Greg Plotts, Assistant Sound Editor: Judson Leach, Assistant Sound Editor: Bob Bowman, Assistant Sound Editor: Horace Manzanares, Assistant Sound Editor: Tim Groseclose, Assistant Sound Editor: Ann Fisher, Philip Morrill, Dialogue Editor: Dan M. Rich, Dialogue Editor: Lauren Stephens, Dialogue Editor: Neil Anderson, Dialogue Editor: Hector Gika, Dialogue Editor: Duncan Burns, [Sound] Effects Editor: Richard Dwan Jr, [Sound] Effects Editor: Christopher Assells, [Sound] Effects Editor: Peter Michael Sullivan, [Sound] Effects Editor: Mark Lapointe, [Sound] Effects Editor: Scott Gershin, [Sound] Effects Editor: Alan Rankin, [Sound] Effects Editor: Randy Kelley, [Sound] Effects Editor: Richard Bozeat, [Sound] Effects Editor: Mark Stoeckinger, [Sound] Effects Editor: Pete Lehman, [Sound] Effects Editor: Brian McPherson, [Sound] Effects Editor: Dave McMoyler, Rick Morris, ADR Supervisor: Joe Mayer, ADR Editor: Mary Ruth Smith, ADR Editor: Lou Kleinman, ADR Editor: Cliff Latimer, ADR Editor: Holly Huckins, ADR Editor: Zack Davis, Foley Artist: Ellen Heuer, Foley Artist: Chris Moriana, Foley Mixer: David Jobe, Foley Editor: Clint Hegeman, Foley Editor: Stuart Copley, Foley Editor: Mark Gordon, Foley Editor: Philip Hess, Stunt Co-ordinator: Joel Kramer, Stunts: Doug Coleman, Stunts: Cliff McLaughlin, Stunts: Tom Elliott, Stunts: Norman Howell, Stunts: Gary Mclarty, Stunts: Chuck Tamburro, Stunts: Tony Brubaker, Stunts: John Tamburro, Technical Adviser: Charles Adamsom, Technical Adviser: Tom Elfmont, Technical Adviser: Gil Parra, Technical Adviser: Rey Verdugo, Technical Support: Richard Smedley, Foxtrot Productions, Technical Weapons Training: Mick Gould, Andy McNab, Unit Publicist: Peter Haas
Cast (66)
Al Pacino (Vincent Hanna), Robert De Niro (Neil McCauley), Val Kilmer (Chris Shiherlis), Tom Sizemore (Michael Cheritto), Diane Venora (Justine), Amy Brenneman (Eady), Dennis Haysbert (Donald Breedan), Ashley Judd (Charlene Shiherlis), Mykel T. Williamson (Sergeant Drucker), Wes Studi (Casals), Ted Levine (Danny Bosko), William Fichtner (Roger Van Zant), Natalie Portman (Lauren Gustafson, Justine's daughter), Tom Noonan (Kelso), Kevin Gage (Waingro), Hank Azaria (Alan Marciano), Susan Traylor (Elaine Cheritto), Kim Staunton (Lillian), Jon Voight (Nate), Danny Trejo (Trejo), Henry Rollins (Hugh Benny), Jerry Trimble (Schwartz), Marty Ferrero (construction clerk), Ricky Harris (Albert Torena), Tone Loc (Richard Torena), Begonya Plaza (Anna Trejo), Hazelle Goodman (hooker's mother), Ray Buktenica (Timmons), Jeremy Piven (Doctor Bob), Xander Berkeley (Ralph), Rick Avery (armoured guard 2), Brad Baldridge (children's hospital doctor), Andrew Camuccio, Brian Camuccio (Dominick), Max Daniels (shooter at drive-in), Vince Deadrick Jr (driver at drive-in), Charles Duke (cop 5), Thomas Elfmont (desk clerk cop), Kenny Endoso (bartender), Kimberly Flynn (Casals' date), Steven Ford (Officer Bruce), Farrah Forke (Claudia), Hannes Fritsch (Miracle Mile bartender), Amanda Graves (Linda Cheritto), Emily Graves (Anita Cheritto), Niki Harris (Marcia Drucker), Ted Harvey (detective 2), Patricia Healy (Bosko's date), Paul Herman (Sergeant Heinz), Cindy Katz (Rachel), Brian Libby (Captain Jackson), Bill Mcintosh (armoured guard 1), Dan Martin (Harry Dieter), Rick Marzan (basketball player), Terry Miller (children's hospital nurse), Paul Moyer (news anchorman), Daniel O'haco (detective 1), Mario Roberts (bank guard 1), Phillip Robinson (Alphonse), Thomas Rosales (armoured truck driver), Rainell Saunders (dead hooker), Kai Soremekun (prostitute), Rey Verdugo (Vegas cop), Wendy L. Walsh (news anchorman), Yvonne Zima (hostage girl), Bud Cort ([Solenko, coffee-shop manager])
Articles held in BFI Reuben Library (44)
In: Cinema Scope n40 Autumn 2009  Pages: 25-30
Title: Vulgar Auteurism: The Case of Michael MannAuthor: TRACY, Andrew Article type: ArticleLanguage: English

In: Continuum v22 n3 June 2008  Pages: 341-352
Title: Crimes against urbanity: The concrete soul of Michael MannAuthor: LOBATO, Ramon Article type: ArticleLanguage: English
Description: A look at the crime genre, particularly a selection of films by Michael Mann and their settings. Examines how the city is represented in these films.

In: Empire n221 November 2007  Pages: 126-127
Title: The 20 top cops: They protect. They serve. They kick assArticle type: ArticleLanguage: English
Description: A top twenty listing of the best police characters on film as voted for by the readers' of Empire magazine.

In: Empire n221 November 2007  Pages: 128-129
Title: The 20 top criminals:the wiliest law-breakers on planet filmArticle type: ArticleLanguage: English
Description: A top twenty listing of the ten best criminal characters in fiction film as voted for by the readers of Empire magazine.

In: Empire n221 November 2007  Pages: 152-160
Title: LA story: the making of HeatAuthor: AMBROSE, Tom Article type: ArticleLanguage: English
Description: Director Michael Mann discuses the making of HEAT and analyses the themes, ideas and characters of the film. Includes sidebars on the supporting actors and in particular Danny Trejo.

In: Sight and Sound v16 n9 September 2006  Pages: 14-18
Title: Which way is up?Author: FULLER, Graham Article type: ArticleLanguage: English
Description: Michael Mann's MIAMI VICE is perceived as a frenetic retread of the crime genre he developed in previous works such as HEAT and The INSIDER and as a study of its two protagonists' existential emotions.

In: Empire n201 March 2006  Pages: 77-88,90-101
Title: 201 Greatest movies of all timeArticle type: ArticleLanguage: English
Description: A listing of the top two hundred and one films as chosen by the reader's of Empire magazine. With comments by actors and filmmaker's.

In: Empire n209 November 2006  Pages: 165-174
Title: The essence of greatnessArticle type: AdvertisementLanguage: English
Description: In association with BMW Empire magazine selects seven of the best filmmakers and the film/scene that is their defining m ovie moment.

In: Creative Screenwriting v13 n4 Jul/Aug 2006  Page: 16
Title: Heat: screenplay by Michael MannAuthor: GOLDSMITH. Jeff Article type: ArticleLanguage: English
Description: Article looking at some lost scenes not included in the final screenplay for Michael Mann's film HEAT.

In: Empire n200 February 2006  Page: 68
Title: Popcorn: The Top 10 Best RemakesAuthor: SEMLYEN, Nick de Article type: ArticleLanguage: English
Description: A listing of the Top 10 best remakes.

In: American Cinematographer v86 n7 July 2005  Page: 20,22
Title: DVD Playback: HeatAuthor: HEMPHILL, Jim Article type: DVD ReviewLanguage: English

In: Empire n189 March 2005  Page: 134
Title: FFW: The Heat Is On...Article type: PreviewLanguage: English
Description: Preview of the HEAT special edition dvd.

In: Empire n198 December 2005  Pages: 214-215
Title: At Home/All-time 100: Month Two: ThrillersAuthor: Nathan, IanArticle type: DVD ReviewLanguage: English
Description: Ten thrillers chosen to be included in a perfect DVD collec- tion of one hundred films.

In: Inside Film n83 Dec 05/Jan 06  Pages: 42-46
Title: Tried and testedArticle type: DVD ReviewLanguage: English
Description: Eight Australian filmmakers share their most memorable DVD viewing experience, including Anna Reeves on HEAT.

In: Empire n191 May 2005  Page: 164
Title: RWD: HeatAuthor: Nathan, IanArticle type: DVD ReviewLanguage: English

In: Film Review n656 May 2005  Page: 143
Title: HeatAuthor: BAUGHAN, Nikki Article type: DVD ReviewLanguage: English

In: Sight and Sound v15 n7 July 2005  Page: 84
Title: HomeMovies: HeatAuthor: LEYLAND, Matthew Article type: DVD ReviewLanguage: English

In: Vanity Fair n512 April 2003  Pages: 80-83
Title: Of vice and MannAuthor: WOLCOTT, James Article type: ArticleLanguage: English
Description: Article analysing the appeal of Michael Mann's thriller HEAT, and his television series ROBBERY HOMICIDE DIVISION.

In: American Cinematographer v84 n6 June 2003  Pages: 121-122
Title: Tricks of the trade: Italian ingenuity: Dante Spinotti, ASCAuthor: GRAY, Simon Article type: ArticleLanguage: English
Description: Dante Spinotti's techniques and tricks that he has employed on such films as HEAT, BANDITS, and The INSIDER as outlined in his master class in Australia.

In: Sight and Sound v12 n11 November 2002  Page: 32
Title: Books: reviewsAuthor: LAWRENSON, Edward Article type: ArticleLanguage: English
Description: Book review. "Heat" by Nick James, bfi Modern Classics.

In: Architectural Design v70 n1 January 2000  Pages: 46-49
Title: Articulating the cinematic urban experience in the city...Author: PRICE, Martin Article type: ArticleLanguage: English
Description: On Los Angeles as exemplar of the postmodern cinematic city, with particular reference to Michael Mann's HEAT.

In: Cinema Scope n2 Winter 2000  Pages: 35-36
Title: Desert Rose: Inside HeatAuthor: PRIDE, Ray Article type: ArticleLanguage: English
Description: Part of a whole issue on the best films of the 1990s.

In: Jump Cut n43 July 2000  Pages: 21-30
Title: Heat: work and genreAuthor: LINDSTROM, J.A. Article type: ArticleLanguage: English
Description: HEAT directed by Michael Mann draws on conventional themes in the gangster genre but its emphasis on the conflict between work and home is an innovation in the genre, drawing on actual trends in work life in the 1990s.

In: Empire n127 January 2000  Page: 150
Title: DVD to buyAuthor: [IN] Article type: DVD ReviewLanguage: English

In: Empire n91 January 1997  Pages: 100-101
Title: 1996 classic scene: "now that we've been face to face"Article type: ArticleLanguage: English
Description: Transcript of the scene between Robert DeNiro and Al Pacino in Michael Mann's HEAT where the characters Hanna and McCauley meet in a restaurant.

In: Film West n24 Spring 1996  Page: 46
Title: Good MannAuthor: FINLAN, James Article type: ReviewLanguage: English

In: Film Comment v32 n2 Mar/Apr 1996  Pages: 10-17
Title: Michael Mann: BecomingAuthor: COMBS, Richard Article type: ReviewLanguage: English
Description: Review of Michael Mann's films, particularly HEAT

In: Empire n80 February 1996  Page: 30
Title: new filmsAuthor: Nathan, IanArticle type: ReviewLanguage: English

In: The Full Score Summer 1996  Page: 5
Title: Feel the heatAuthor: JAMES, Nick Article type: ArticleLanguage: English
Description: Review of the music

In: Score Filmmuziek Magazine n99 June 1996  Page: 16
Title: Pas verschenen & CD-besprekingenArticle type: Short ArticleLanguage: Dutch
Description: Review of the soundtrack

In: Empire n87 September 1996  Page: 125
Title: video movies to rentAuthor: NEWMAN, Kim Article type: ReviewLanguage: English
Description: Video release review.

In: American Cinematographer v77 n1 January 1996  Pages: 46-50
Title: Hot setAuthor: ROBLEY, Les Paul Article type: ArticleLanguage: English
Description: Article on the film stock, lighting, and lighting techniques used on location in Los Angeles by cinematographer Dante Spinotti and director Michael Mann on the production of HEAT.

In: Empire n81 March 1996  Page: 22
Title: Front desk clips: hot under the collarAuthor: Nathan, IanArticle type: ArticleLanguage: English
Description: Compares Michel Mann's HEAT storyline with the very similar TV movie LA CRIMEWAVE (1989) which Michael Mann also wrote and directed.

In: Empire n81 March 1996  Pages: 82-88
Title: Hey, let's be careful out there....Author: Nathan, IanArticle type: InterviewLanguage: English
Description: Michael Mann talks about the enuring cinematic appeal of crime dramas, referring to HEAT, his latest film.

In: Premiere v4 n1 February 1996  Pages: 10-11
Title: [Premiere - v4 n1 February 1996: no known title]Author: GILBEY, Ryan Article type: ReviewLanguage: English

In: Sight and Sound v6 n3 March 1996  Pages: 14-19
Title: Bob and Al in the coffee shopArticle type: ArticleLanguage: English
Description: A reproduction of Michael Mann's annotated script pages of the coffee shop scene in HEAT, together with his notes.

In: Positif n421 March 1996  Pages: 54-55
Title: Actualité; Les FilmsAuthor: VIVIANI, Christian Article type: CreditsLanguage: French

In: Films in Review v47 n3/4 Mar/Apr 1996  Pages: 60-61
Title: Film reviewsAuthor: ALEXANDER, Victoria Article type: CreditsLanguage: English

In: Sight and Sound v6 n2 February 1996  Pages: 42-44
Title: reviewsAuthor: WRATHALL, John Article type: CreditsLanguage: English

In: The Hollywood Reporter v337 n23 30 May 1995  Page: 20
Title: Film productionArticle type: CreditsLanguage: English
Description: further credits

In: Variety 11 Dec 1995  Page: 82,83
Title: [Variety - 11 Dec 1995: no known title]Author: MCCARTHY, Todd Article type: CreditsLanguage: English

In: Screen International n1036 1 Dec 1995  Page: 16
Title: ReviewsAuthor: BAHANIA, Ana Maria Article type: CreditsLanguage: English

In: Variety 30 Jan 1995  Page: 22
Title: Film Productions: Future FilmsArticle type: Prod. DetailsLanguage: English

In: Interview v25 n12 December 1995  Page: 34,36
Title: Director Profile: Michael MannAuthor: FULLER, Graham Article type: InterviewLanguage: English
Description: Micheal Mann talks about HEAT.


Books held in BFI Reuben Library (4)
Title: Postfeminism and contemporary Hollywood cinema
Author: Gwynne, Joel  Pages: xii, 257 pages

Title: cinema of Michael Mann
Author: RYBIN, Steven  Pages: 233 p.

Title: Blood in the moonlight: Michael Mann and information age cinema
Author: WILDERMUTH, Mark E.  Pages: xi, 211 p.

Title: Heat
Author: JAMES, Nick  Pages: 95 p.


Film, Video or Digital materials held in BFI National Archive(2)
Accessible materials to view(1)
Description: 35mm Colour PositiveBase: PolyesterSound: CombinedLength: 15358 FeetBFI identifier: C-905663
Status: Viewing - Film print can be requested for access (servicing required)



Film materials(2)
Description: 35mm Colour PositiveBase: CTASound: CombinedLength: 15354 FeetStock date: 1995BFI identifier: C-906687
Status: Master - Restricted access to preserved film


Description: 35mm Colour PositiveBase: PolyesterSound: CombinedLength: 15358 FeetBFI identifier: C-905663
Status: Viewing - Film print can be requested for access (servicing required)